Krzysztof Gawlas

From PSeME - Polish Society for Electroacoustic Music
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The title ''Bassness'' comes from the source of most sound samples, used in the piece - double bass. These aren't however real "bassy" sounds, but noises, scratch tones and harmonics, recorded acoustically and/or prepared by electronic means. The sound is moving away from the instrument's body and floating in the spaces of nightdreams, crystalizing on the abstract harmonic structures.
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The title '''''Bassness''''' comes from the source of most sound samples, used in the piece - double bass. These aren't however real "bassy" sounds, but noises, scratch tones and harmonics, recorded acoustically and/or prepared by electronic means. The sound is moving away from the instrument's body and floating in the spaces of nightdreams, crystalizing on the abstract harmonic structures.

Latest revision as of 01:00, 19 March 2006


The title Bassness comes from the source of most sound samples, used in the piece - double bass. These aren't however real "bassy" sounds, but noises, scratch tones and harmonics, recorded acoustically and/or prepared by electronic means. The sound is moving away from the instrument's body and floating in the spaces of nightdreams, crystalizing on the abstract harmonic structures.

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