PAFME Festival
| Line 11: | Line 11: | ||
| − | + | '''Mary Lee Roberts''' - ''Eusebio Consumed'' (computer generated) (14:02) | |
| − | + | ||
| − | '''Mary Lee Roberts''' | + | |
| − | + | ||
| − | '' | + | |
| − | + | ||
| − | + | ||
| + | '''Benjamin Boretz/Russell Richardson''' - ''Group Variations'' (music, video) (15:00) | ||
? intermission | ? intermission | ||
| − | ''On the Go'' (for clarinet and computer generated sounds) | + | '''Robert Morris''' - ''On the Go'' (for clarinet and computer generated sounds) (16:42) |
| − | + | ||
| − | + | ||
'''Jan Cielecki''' ? clarinet | '''Jan Cielecki''' ? clarinet | ||
| − | ''The New Mother'' | + | '''John Rahn''' - ''The New Mother'' (15:00) |
excerpts: Overture, Not Bad Enough | excerpts: Overture, Not Bad Enough | ||
| Line 35: | Line 28: | ||
(chamber opera for five female voices, an orchestra of ten instruments, and electronic sound) | (chamber opera for five female voices, an orchestra of ten instruments, and electronic sound) | ||
| − | ''' | + | '''Emil Wojtacki''' - ''Piano Quartett'' |
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| − | ''Piano Quartett'' | + | |
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| Line 47: | Line 35: | ||
SALA KONCERTOWA AKADEMII MUZYCZNEJ W KRAKOWIE | SALA KONCERTOWA AKADEMII MUZYCZNEJ W KRAKOWIE | ||
| − | ''Madelaines I-V'' (computer generated) | + | '''Mary Lee Roberts''' - ''Madelaines I-V'' (computer generated) (7:03) |
''White writing'' (computer generated) (5:50) | ''White writing'' (computer generated) (5:50) | ||
| − | |||
| − | |||
| − | '''J.K.Randall''' | + | '''J.K.Randall''' - ''a garland of C-sound: BAB-O '' (5:00) |
| − | |||
| − | '''Benjamin Boretz''' | + | |
| + | '''Benjamin Boretz''' - ''Downtime'' (piano and percussion on tape) (20:00) | ||
'''Piotr Grodecki''' ? fortepian | '''Piotr Grodecki''' ? fortepian | ||
| Line 66: | Line 52: | ||
? intermission | ? intermission | ||
| − | ''?on the way to becoming...?'' (a soliloquy) (10:30) | + | '''Elaine Barkin''' - ''?on the way to becoming...?'' (a soliloquy) (10:30) |
| − | ''' | + | '''Milton Babbitt''' - ''Reflections'' (piano and tape) (12:00) |
| − | '' | + | ''Slawomir Zubrzycki'' - piano |
| − | |||
| − | |||
| − | |||
'''CONCERT III.''' | '''CONCERT III.''' | ||
| + | '''Elaine Barkin''' - ?past is part of...? (6:30) | ||
| − | |||
| − | |||
| − | music/consciousness/gender (music, text, video) (15 | + | '''Benjamin Boretz''' - ''music/consciousness/gender'' (music, text, video) (15:00) |
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ||
| + | '''Tildy Bayar''' - ''Three Readings '' (8:00) | ||
''The Complexities of the Situation'' (7:07) | ''The Complexities of the Situation'' (7:07) | ||
| − | |||
| − | |||
| − | |||
? intermission | ? intermission | ||
| + | '''Benjamin Boretz/Dorota Czerner/Russell Richardson''' - ''Poppies'' (music, text, video) (35:00) | ||
| − | '' | + | '''Michal Talma-Sutt''' - ''Light & Shade'' |
| − | + | ||
| − | '' | + | |
| − | + | ||
| − | + | ||
| − | ''Light & Shade'' | + | |
| − | + | ||
| − | + | ||
| − | + | ||
| − | + | ||
'''CONCERT IV.''' | '''CONCERT IV.''' | ||
| − | ''Black /Noise I '' (computer-processed piano) (12:55) | + | '''Benjamin Boretz''' - ''Black /Noise I '' (computer-processed piano) (12:55) |
| − | ''' | + | '''James K. Randall''' - ''Lyric Variations '' (20:00) |
| − | |||
| − | ''' | + | '''Lukasz Pieprzyk''' - ''Desintegration'' (video) |
| − | + | (15:00) | |
| − | + | ||
| − | + | ||
? intermission | ? intermission | ||
| − | + | '''Paul Lansky''' - ?Composition Project for Seniors? (9:00) | |
| − | + | ||
| − | '''Paul Lansky''' | + | |
| − | + | ||
| − | + | ||
| − | + | ||
| − | '''Benjamin Boretz''' | + | '''Benjamin Boretz''' - ''Black/Noise III'' (music, text, video ) (20:00) |
Revision as of 02:51, 5 December 2006
December 15 - 17, 2006
Krakow, Poland
CONCERT I. ? 15.12 2006
GALERIA KRZYSZTOFORY
Mary Lee Roberts - Eusebio Consumed (computer generated) (14:02)
Benjamin Boretz/Russell Richardson - Group Variations (music, video) (15:00)
? intermission
Robert Morris - On the Go (for clarinet and computer generated sounds) (16:42)
Jan Cielecki ? clarinet
John Rahn - The New Mother (15:00)
excerpts: Overture, Not Bad Enough
(chamber opera for five female voices, an orchestra of ten instruments, and electronic sound)
Emil Wojtacki - Piano Quartett
CONCERT II. ? 16.12.2006
SALA KONCERTOWA AKADEMII MUZYCZNEJ W KRAKOWIE
Mary Lee Roberts - Madelaines I-V (computer generated) (7:03)
White writing (computer generated) (5:50)
J.K.Randall - a garland of C-sound: BAB-O (5:00)
Benjamin Boretz - Downtime (piano and percussion on tape) (20:00)
Piotr Grodecki ? fortepian
? intermission
Elaine Barkin - ?on the way to becoming...? (a soliloquy) (10:30)
Milton Babbitt - Reflections (piano and tape) (12:00)
Slawomir Zubrzycki - piano
CONCERT III.
Elaine Barkin - ?past is part of...? (6:30)
Benjamin Boretz - music/consciousness/gender (music, text, video) (15:00)
Tildy Bayar - Three Readings (8:00) The Complexities of the Situation (7:07) ? intermission
Benjamin Boretz/Dorota Czerner/Russell Richardson - Poppies (music, text, video) (35:00)
Michal Talma-Sutt - Light & Shade
CONCERT IV.
Benjamin Boretz - Black /Noise I (computer-processed piano) (12:55)
James K. Randall - Lyric Variations (20:00)
Lukasz Pieprzyk - Desintegration (video)
(15:00)
? intermission
Paul Lansky - ?Composition Project for Seniors? (9:00)
Benjamin Boretz - Black/Noise III (music, text, video ) (20:00)